Mansoor Alikhan

Mansoor Alikhan, 63, is a veteran Tamil film actor and Independent politician from Lalgudi, Tamil Nadu, with an 8th standard education and assets of ₹3.56 crore. Born on February 22, 1961, in Oddanchatram, Dindigul, he trained at Actors Workshop in Mumbai and struggled for nine years before his film debut in 'Velai Kidaichuduchu' (1990). Known for antagonistic and supporting roles in Tamil cinema, including films like 'Captain Prabhakaran' (1991), 'Chembaruthi' (1992), and 'Natpukkaga' (1998), he also works in Malayalam, Telugu, and Kannada films. His declared profession as 'Actor and Film Production, Real Estate' aligns with his known career in entertainment and property investments. Alikhan's political career has been marked by consistent failure and frequent party changes. He supported Pattali Makkal Katchi (PMK) early on, then contested from Periyakulam in 1999 as a Puthiya Tamilagam candidate, securing about one lakh votes in his best electoral performance. In 2009, he faced criminal charges for breaching the election moral conduct code by using propaganda banners illegally. He later joined Naam Tamilar Katchi (NTK) for the 2019 Lok Sabha elections from Dindigul, and has since contested multiple times as an Independent from various constituencies including Thondamuthur (2021), Lalgudi (2011, 2016, 2021), and Vellore (2024 Lok Sabha), never securing more than 1% of votes. In March 2026, Alikhan made headlines by lying on railway tracks at Kallakudi Palanganatham station to reenact former Chief Minister M. Karunanidhi's 1953 anti-Hindi agitation, a theatrical campaign stunt that required police intervention. He has no verified social media presence or documented development work in Lalgudi. Notably, web search results reference a 'Mansoor Ali Khan' arrested in 2019 for the IMA Jewels ponzi scam worth ₹2,000 crore in Bengaluru, though it remains unclear if this is the same individual. Voters should know that Alikhan is a career politician with a two-decade electoral record of consistent losses across multiple constituencies and party affiliations. His theatrical campaign methods and lack of measurable political impact suggest limited prospects for effective representation, despite his cinema background and cultural visibility in Tamil Nadu.